在上海戏曲舞台上,出人出戏,成绩是要肯定的。但有这样两种现象:一是有些青年演员热心于拜师学艺,以求继承流派,但图名有余,求实不足;二是有些在群众中已有相当影响的中年演员,在继承与发展流派的工作中,迟滞不前,建树不多。面对这些现象,引起我们一些联想。我们并无指责中青年演员之意,只想就流派问题发点议论,求教于大家。青年演员拜师学艺,好比学书法,先从描红、临帖开始,掌握书法基本知识,崇学一家,兼收并蓄,运笔自如,逐步自成一体。但是有些青年演员学流派, In Shanghai opera stage, people play, performance is to be affirmed. However, there are two phenomena: First, some young actors are enthusiastic about apprenticeship in order to inherit the genre, but they have more than one name and lack of truth-seeking; second, some middle-aged performers who have had considerable influence among the masses have their own inheritance and development Genre’s work, stagnation, not much contribution. In the face of these phenomena, we have some associations. We do not accuse young and middle-aged actors of meaning, we only want to talk about genre issues and ask for advice. Young actors apprentice learning arts, like learning calligraphy, first from the red, temporary posts start, master the basic knowledge of calligraphy, learning one, eclectic, easy writing, gradually self-contained. However, some young actors learn school,