莎翁Sonnet 148的译文,国内有多个版本。以许渊冲诗译“三美”原则为理论指导,本文从意美、音美和形美三个角度,探讨四个不同译本存在的分歧,旨在说明四篇译文虽各有所长,但未见完美。诗歌翻译应将“三美”有机结合,以期探索如何最大程度展现诗歌的整体美。 Shakespeare Sonnet 148 translation, there are several domestic versions. With the guidance of Xu Yuanchong’s poem translation and the principle of “Three Beauties”, this dissertation explores the differences between the four different versions from the perspectives of beauty, tone, beauty and beauty. The purpose of this article is to show that although the four versions have their own merits, Not seen perfect. Poetry translation should combine the “Three Beauties” with a view to exploring ways to maximize the overall beauty of poetry.