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上世纪80年代初,诗歌领域发生了朦胧诗论争。~1论争建立在一个基本共识之上:朦胧诗是对此前现实主义诗歌传统的反叛。论争中,一方重申现实主义诗歌传统的历史正当性与现实合理性,批评朦胧诗背离这一美学原则和思想立场;另一方则以现代主义为美学原则建构朦胧诗合法性,同时将现实主义作为对立面加以否定——这一方因其代表文献“三个崛起”~2而被称为“崛起派”。虽然崛起派对现代主义的阐释并不准确甚至自相矛盾,对朦胧诗在多大程度上借鉴现代主义的看法也并
In the early 1980s, a vague poetic debate took place in the field of poetry. The controversy is based on a basic consensus that misty poetry is a rebellion against the tradition of pre-realist poetry. In the debate, one side reiterated the historical legitimacy and realistic rationality of the realistic poetry tradition, criticized the obscure poetry deviating from the aesthetic principle and ideological standpoint while the other side used the modernism as the esthetic principle to construct the obscurity of the misty poetry while using realism as Opposition to the Opposition - This side is called “Rising Party” for its representative document “Three Rise” ~ 2. Although the explanation of the rise of party modernism is not accurate or even contradictory, to the extent that obscure poems borrow modernism