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审美直观性是艺术审美活动中的重要特征,它表现为对艺术形象具有一种不假思索而即刻把握与领悟的能力。从古代岩画、音乐、绘画到当代影视艺术,艺术美直接作用于我们的审美器官,是审美主体美的感受,可以说直观的审美伴随着艺术活动。“现量”理论由佛教唯识宗提出,是理解直观性问题的不二法门,音乐美学家杨昭恕先生将现量与审美直观进行联照,本文借唯识现量理论探讨艺术审美中的直观性问题,并从音乐审美角度对“把握现量之情境”进行重点讨论,由此将佛教哲学进一步引入理论美学范围。
Aesthetic intuition is an important characteristic of artistic aesthetic activities. It shows the ability to grasp and comprehend instantly the artistic image without thinking. From ancient rock paintings, music and paintings to contemporary film and art, artistic aesthetics directly affects our aesthetic organs, which is the aesthetic feeling of aesthetic subjects. It can be said that the intuitive aesthetic accompanies artistic activities. “The amount of ” theory proposed by the Buddhist consciousness only, is the only way to understand the intuitive issues, the music esthetician Mr. Yang Zhaoshu the amount of current and aesthetic intuition will be a joint photo, this paper discusses the aesthetic aesthetic theory And from the aesthetic point of view of music, it focuses on the situation of grasping the present, which further introduces the Buddhist philosophy into the scope of theoretical aesthetics.