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宣纸上,一个浓重的墨龙腾空跃起,舞动在自由的空间,这是看到李士军先生创作“龙”字的最初印象。龙在中国文化中占有特殊地位,是中华民族昂扬向上、自强不息、刚健奋发的图腾标志,也是国人心中精神的向往。神龙见首不见尾,以其阳出阴入、阴阳转变、变幻无限、莫测其极的现象,体现着易经太极思维的根本方法。李士军先生数十年深研杨式太极拳,衷心太极墨象的艺术状态,而笔翰专攻于龙字
On rice paper, a thick dragon emersed and leapt in a free space. This is the first impression of Mr. Li Shijun’s creation of the word “dragon.” Dragon occupies a special position in Chinese culture and is a totem symbol of the Chinese nation with high spirits, self-improvement and vigorous development. It is also a yearning spirit of the Chinese people. Seeing the beginning of the dragon see no end, with its yin yang yin yang, yin and yang transition, infinite change, unpredictable its extremely phenomenon, embodies the basic method of thinking by the yijing. Mr. Li Shijun decades of deep Yang-style Taijiquan, sincerely Tai Chi ink state of art,