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上世纪90年代,随着国内社会体制的转型和西方当代艺术观念的不断渗入,一些“不安分”的青年画家,试图摆脱体制内僵化的艺术思维和创作方法,开始在美协、艺术研究院、画院、美术院校、美术馆、群艺馆、美术出版社等传统艺术职场之外谋求生存和发展。他们聚集在大都市的边缘地带,租用低廉的仓库或被废弃的旧厂房,在极其艰苦的条件
In the 1990s, with the transformation of the domestic social system and the continuous infiltration of Western concepts of contemporary art, some “uneasy points” young painters tried to get rid of the rigid artistic thinking and creative methods in the system and began to work in the art association and art Research institutes, art academies, art schools, art galleries, group art galleries, art publishers and other traditional art work outside to seek survival and development. They gather at the metropolitan fringe, rent low-cost warehouses or abandoned old factories, in extremely harsh conditions