本文从叙事角度对英国著名油画家吕西安·弗洛伊德早期为尼古拉斯·摩尔的诗集《玻璃塔》创作的插图与诗歌的关系进行深入剖析,探讨其作品的生成过程及其背后深层情感来源。《玻璃塔》的插图与诗歌相互分立,其意义已经不再是其作为常规性插图的辅佐文字,而成为激发情感和启发想象的契机。画家通过限制插图的叙事性而成功地消解了读者和形式之间的距离,迫使其直观的、直觉的、诗意性的体验形成。插图内容被直观的形式超越进而消解了阐释的有效性,诗性的体验和想象成了进入其世界最有效的方式。 This article analyzes in depth the relationship between the illustrations and poems written by Nicholas Moore’s poetry book by Lucian Freud, a famous British oil painter from the perspective of narration, and explores the generation process and the sources of deep emotions behind it . The illustration of “Glass Tower” is separated from poetry. Its meaning is no longer an adjunct to its routine illustrations, but an opportunity to stimulate emotions and inspire imagination. By limiting the narrative of illustrations, painters successfully resolve the distance between readers and forms, forcing the formation of their intuitive, intuitive and poetic experience. The illustration’s content is overstepped by an intuitive form and thus eliminates the validity of the explanation. The poetic experience and imagination become the most effective way to enter the world.