台湾作家陈映真曾一度否认自己的创作带有现代主义特质,并在1966年之后大力倡导现实主义的创作方法。但《我的弟弟康雄》《唐倩的喜剧》两部小说集却带有浓郁的现代主义色彩,故陈映真的创作经历了从现代主义到现实主义的转向,只是在台湾社会、创作指导理念,以及文学立场的共同作用下,他主观割裂了自身的创作与台湾现代主义文学的关系。 Taiwanese writer Chen Ying-san once denied having his own creation with the characteristics of modernism and advocated the creation of realism after 1966. However, the two novel collections of “My Brother Kangxiong” and “Tang Qian’s Comedy” are rich in modernism. Therefore, Chen Yingzhen’s creation has undergone a shift from modernism to realism. Only in Taiwan society, she has created the guiding ideology, And his literary stance, he subjugated the relationship between his own creation and Taiwan’s modernist literature.