在图像爆炸、“作品”遍地、摄影奖项和比赛扎堆的今天,一个意图建立起影响力的摄影展有责任提醒并且引导观看者:不要再理所当然地将“看照片”视为对重复经验的确认(主要表现为“能不能看懂”)。所谓重复的经验,一方面包括宏观上被普遍认可的知识性经验和我们业已习惯的日常生活模式,另一方面则包含对于“摄影作品应该是什么样的”存在的刻板印象以及评判其“好坏”的标准。依赖这些经验,观展者得以判定自己是否看懂了摄影作 Today, in an explosion of images, “works”, photography awards and competitions, an attempt to establish an influential photographic exhibition has a responsibility to remind and guide viewers: Do not take it for granted that “looking at photos” Repeated experience of confirmation (mainly for “can understand ”). The so-called repetitive experience, on the one hand, includes macroscopically universally recognized knowledge-based experiences and daily life patterns that we are accustomed to. On the other hand, we have a stereotype about the existence of “what should be a photographic work” and judge it “Good or bad ” standard. Depending on these experiences, viewers can determine if they understand photography