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一幅动人的画,可能是情节有趣的,表现了历史的或现实生活的片断;可能构思独特,有别出心裁的艺术处理;也可能是有描写了为一般人不易发现的、发人深思的细节。长期以来,在艺术批评界关于美术品要不要表现情节,存在着不同的意见。注重艺术品的文学趣味的人,往往偏爱有情节的绘画,喜欢看英国十九世纪下半期拉斐尔前派和俄国巡回展览画派的作品。与此相反,注重艺术本身价值和艺术表现力的人,往往不喜欢有情节的绘画。他们提出批评说,文学和戏剧有表现情节的特长,这个任务留给文学家、戏剧家吧,绘画是瞬间的艺术,它主要通过线
A moving picture may be an interesting episode, showing a fragment of historical or real life; a uniquely thought-out art process; or a detailed, thought-provoking detail that most people find difficult to find. For a long time, there have been different opinions on whether art critics should express their plot or not. Those who pay attention to the literary taste of the artwork tend to prefer plotted paintings and enjoy the works of former Raphaelite and Russian roving exhibition painters in Britain in the second half of the nineteenth century. In contrast, people who value the value of art and expressiveness often do not like plot-based painting. They criticized that literature and drama have the characteristics of performance plots. This task is left to writers and dramatists. Painting is an instant art,