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波普艺术起源于二十世纪六十年代,由于它独特的性格以及求新的态度,流行起初便极大的影响着服装设计的发展,使波普色彩的服装独树一帜。京剧的脸谱作为中国国粹也一直不断影响着中国风服饰的创新,脸谱与服装设计的结合,不但为服装设计注入疯狂因子,同时更好的实现京剧脸谱艺术的传承与发展。然而西方波普艺术与东方脸谱文化的碰撞,显而易见会碰撞出怎样的火花。本文以理论整理与设计实操的方法,通过对波普色彩与脸谱元素的深入了解,整理出其共性,并对这两个元素对比分析运用手法,利用波普丰富的色彩与脸谱奇幻出的图案进行推翻又将其重组,并结合自身设计理念,对波普色彩与脸谱元素在服装上的体现进行切实的研究。
Pop art originated in the 1960s. Due to its unique character and new attitude, pop art greatly influenced the development of fashion design at the very beginning, making pop art unique. As the Chinese quintessence of Chinese culture, Peking opera mask has been constantly influencing the innovation of Chinese style dress and the combination of facial masks and fashion design. It not only injects madness factor into fashion design, but also inherits and develops Peking Opera facial art better. However, the collision of western pop art and oriental facial culture clearly shows what kind of sparks will collide with each other. In this paper, the theory of finishing and design practices, through the Pope color and facial elements in-depth understanding, collation out the commonalities, and these two elements of the comparative analysis of the use of tactics, the use of pop colors and face mask fantasy Pattern to be overturned and reorganized, combined with its own design concept, the pop color and facial elements in clothing on the performance of an effective study.