在中国的美术史上,成就突出的女性画家寥若晨星,其原因自然离不开古代中国男尊女卑的社会风气的影响。即便如此,自古至今,仍有耀眼的流星不断地滑过以男性为主体的艺术天空,并且,伴随着社会时代前进的脚步,这份璀璨和靓丽愈发给中国艺术的宝库添加着动人的力量。在几千年来形成的传统观念中,女性的性别身份是第二性的、逆来顺受的、温柔的、消极的,自古以来所谓的“女子无才便是德”至今仍被老人们认可。在男性占优势的社会,女性似乎不应该有自己的思想 In the art history of China, there are few outstanding female painters who have made outstanding achievements. The reason for this is naturally inseparable from the social ethos of ancient Chinese men and women. Even so, dazzling meteors continue to glide over the masculine art sky from ancient times to the present, and with the progress of the social age, the bright and beautiful world increasingly adds momentum to the treasure house of Chinese art. . In the traditional concept formed for thousands of years, the gender identity of women is secondary, obedient, gentle, and negative. Since ancient times, the so-called “woman is nothing but virtue” is still recognized by the elderly . It seems that women should not have their own ideas in the predominantly male societies