以拍“女”字影片(《女驸马》、《龙女》、《杜鹃女》等)著称的安徽黄梅戏,最近又推出由中央新闻电影制片厂摄制的新作《孟姜女》。该片画面清丽,音乐甜美,演员秀雅,表面看去,颇有一丝淡淡的诗情。然而,当我们把审美的目光“投”向影片“深”部,却又见出诸多窘状。其经营之惨淡,视界之迷茫,步履之拘谨,每每令人憾然作叹。究其底里,症结所在似可括而言之曰:现实主义创作定势的困惑。 The Huangmei opera in Anhui, which is famous for making “女” films (“Nu Wa Ma,” “Dragon Girl,” “Cuckoo Girl,” etc.) recently launched the new film Meng Jiang Nu produced by the Central Newsreel Film Studio. The picture is elegant, sweet music, elegant actor, the surface looked quite quite a touch of poetic. However, when we “cast” the aesthetic eyes on the “deep” part of the film, we see a lot of embarrassment. The dismal business, the confusion of the horizon, the cautious gait, often regretful sigh. In the end, the crux of the problem can be summarized as saying: realism creation confusion.