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这年夏天,一首《董小姐》,火了宋冬野。作为民谣歌手,号称歌唱记忆中的北京,用一张《安和桥北》专辑,将民谣带回到浮躁的空气中,让人沉静,让人落泪。敢唱民谣的,都是有故事的人。这注定是一个民谣复兴的时代。从2011年起,国产民谣日益开始受到更多关注。那一年,也被称为民谣兴起年。到今年,一直低调小众的民谣,终于在大众的听觉里开花结果,让前几年沉醉于华丽丽,开始留意到这样一种有点温情,又有点冷静的声音。宋冬野曾经说,安和桥只是一座桥,她
This summer, a “Miss Dong”, fire Song Dongye. As a folk singer, known as Beijing singing in memory, with a “North Bridge and” album, the ballad back to the impetuous air, people quiet, people cry. Dare to sing folk songs, are the story of people. This is bound to be an era of folk revival. From 2011 onwards, domestic folk songs begin to receive more and more attention. That year, also known as the rise of ballads. This year, folk songs that have always been a low-profile minority have finally blossomed into public hearing, leaving a glimpse of a glimpse of a few years ago and beginning to notice such a warm and somewhat cool voice. Song Dongye once said that Anhe Bridge is just a bridge for her