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岭南盆景的最大特点是因材造型,法一型万。好的桩材易培育出好的作品,这是尽人皆知的事。难的就是将一般的桩材或劣等桩材培育成好的作品,这就并不是每一个从事盆景创作的人都能够做的到。赵士湛先生很少花重金购买桩材,一般都从别人选剩的桩材中去加以利用,《追月》就是最好的例子。该桩原是市面上别人选剩的的一叶子花桩,干身又直又长,头根段、中段、尾段干身粗细一样,左看右看,竖看横看,也很难看出美感,在行家里手中被认为是不成材的残桩,唯一可取的是横飘后上昂的顶部和右展的托基有少些曲意美。
The most prominent feature of Lingnan bonsai is material modeling, a type of law. Good pile easy to cultivate a good work, this is a well-known thing. The hard part is to cultivate common piles or poor piles into good works, which is not something that every one who engages in bonsai creation can do. Mr. Zhao Shizhan seldom spent heavily on the purchase of stakes, usually from others to choose the remaining pile to be used, “Chasing the Moon” is the best example. The original pile is the market leaves the remaining leaves of another election, dry and straight and long, the first root section, the middle section, the tail section of dry body the same weight, left and right to see, look at the vertical and horizontal, it is difficult to see Aesthetic sense, considered by the experts as a failed stump, is that the only desirable thing is that there is less beauty and curvaceous top and rightward stretching of Torquay.