康德是说不尽的,康德的美学思想之所以是经典的,那是因为它的影响一直存在,根据它的思想而产生的新的思想也在发生着影响。这里所发表的两篇文章很好地证明了这一点。江飞的文章《李泽厚后期实践美学的理论价值、文化意义与美学史地位》所探讨的是康德的思想对于中国学者李泽厚的影响,而吴天天的文章《康德崇高美学的后现代状态——利奥塔、德里达和南 Kant is endless. The reason why Kant’s aesthetic thought is classic is that its influence has always existed, and new ideas arising from its thinking are also having an impact. Two articles published here are a good proof of this. Jiang Fei’s article “The Theoretical Value, Cultural Significance and Position of Aesthetic History in the Practical Aesthetics of Late Li Zehou” discusses the influence of Kant’s thought on Chinese scholar Li Zehou, and Wu’s article "Post-modern State of Kant’s Sublime Aesthetics - Horta, Derrida and South