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中国古代书画鉴定,在20世纪60年代初,由于张珩倡导以风格辨识为主的综合判断,使其在方法论上实现了从传统向现代的转变。但是,这种现代形态的书画鉴定方法论,依然存在着不足之处。它在理论阐释上,偏于经验描述,缺乏必要的理性分析。对这种在中国书画鉴定中占主导地位的理论与方法,进行思考与推进,是书画鉴定学的紧迫任务。
In the early 1960s, due to Zhang Heng’s general judgment of style identification, it enabled the methodological transformation from tradition to modernity. However, there are still some shortcomings in the modern method of calligraphy and painting appraisal. On the theoretical interpretation, it deviates from the description of experience and lacks the necessary rational analysis. This kind of theory and method that dominates in Chinese calligraphy and painting appraisal and promotion is an urgent task of the appraisal of calligraphy and painting.