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在《元史》、《造像量度经》中对阿尼哥的评价较高,但现存能明确认定属于阿尼哥制作、具有“阿尼哥风格”的作品却几乎没有。本文通过比较世界各地保存的13世纪中期至14世纪上半叶制作的造像和绘画,考证出其中一些作品具有“阿尼哥风格”。阿尼哥风格是在纽瓦尔风格的基础上,融合波罗印度、西藏以及汉地本土的因素,由阿尼哥及其工作团队共同创造而形成,具有独特的波罗风格与“藏式元代”风格相结合的特点。从萨迦寺经大都到夏鲁寺,阿尼哥风格在“尼藏”和“藏汉”之间形成了一个完美的传播轨迹。
In the “Yuan Shi”, “Statues of the statue by” on the evaluation of Anigo high, but the existing can be clearly identified as belonging to Ani Ge production, with “Anigo style ” works are almost no. By comparing portraits and paintings from the mid-13th century to the first half of the 14th century, preserved in different parts of the world, some of these works have been identified as “Anini styles.” Anini style is based on the Newar style, based on the integration of Baltic India, Tibet and the Chinese local factors, created by Anigo and his team to form a unique style of Polo and Yuan Dynasty “style combination of features. From the Sakya Temple to the Shalu Temple, the Anigo style formed a perfect communication path between ”Ni-Tibetan “ and ”Tibetan ".