近十年的水墨演进过程中,现代水墨现象,是最引人瞩目的。这种瞩目是因为诞生了一批有生气的水墨画家和引人瞩目的作品,它们都与特定文化环境中的“文化觉醒”相关,或是与当代中国人观念、意识的进步有着某种关系。现代水墨所意味的,不仅仅是文化自省和文化批判问题,它还牵涉到水墨艺术的精神问题。现代水墨的精神问题,体现的是一个时代审美趋向错综复杂的现象,因为现代水墨的创作无法离开当代社会的现实。在考察现代水墨的时候,我们应该有一个“纵横交叉”参照系统。所谓 Nearly a decade of ink in the evolution process, the phenomenon of modern ink, is the most eye-catching. This kind of attention is due to the birth of a group of angry ink painters and eye-catching works that are all related to the “cultural awakening” in a particular cultural environment or have some bearing on the progress of the concept and awareness of contemporary Chinese people . Modern ink and wash means not only cultural introspection and cultural criticism, but also involves the spirit of ink art. The spiritual problem of modern ink and wash embodies the intricacies of the aesthetic trends of an era because the creation of modern ink and wash can not leave the reality of contemporary society. When examining modern ink and wash, we should have a cross-reference system. So-called