“枯木”题材“诗意画”是北宋诗画交融之文人墨戏的重要类型,源于盛唐以来山水画中的寒林古木和松石小景,而新变于文同。他的“枯木”绘画一变唐法,描绘古木全景,以竹石点缀其间,奇古简重,意兴盎然,与其诗歌创作同一机杼,是其学养品德、志趣性情的诗意表现。文同的“枯木”绘画,下开苏轼之枯木怪石,为诗画交融的诗学思想和艺术实践拓开了新的意境空间,丰富并推动了北宋“诗意画”创作的发展。 “Deadwood ” theme “poetic painting ” is an important type of poet ’s play of blending poetry and painting in North Song Dynasty. It originated from the ancient poems of Hanlin and Turquoise in the landscape painting since the Tang Dynasty. His “dead wood ” painting a change of Tang and France, depicting the panorama of ancient wood, embellished with bamboo and stone, the ancient and the solemn, vibrant, and his poetry creation of the same machine, is his moral character, poetic expression of poetic. Under the same “dead wood ” painting, under the withered rocks and rocks of Su Shi, opened up new space of artistic conception for poetic thoughts and artistic practice of blending poetry and painting, enriched and promoted the creation of "Poetic Painting development of.