古代书法家鲜有提及创作二字者,往往于书作之后落款曰:拟某某笔意或仿某某法。文人之间也常以临摹作品相赠,此种现象尤以明清书画扇为最,足见古人注重传承,讲究下必有由,画必有据。窃以为,没有传承、一味创新之作真像三无产品。因此,书法创作当从临摹开始。临摹之于书法恰似写生之于绘画,至关重要。而背临、意临实乃临、创转换之关键。借助原帖点画、偏旁、部首以及现有之字,模而仿之,进而集字(或点画)成篇,史称集字法,此可谓创作之始也。北宋米芾常 The ancient calligraphers rarely mentioned the creation of two characters, often after the book inscribed said: a certain intention or a certain imitation of a law. Scholars are often copy works copied, this phenomenon especially in the Ming and Qing calligraphy and painting fan is the most, showing that the ancients pay attention to inheritance, there must be stress under the painting will have a basis. Steal thought, no heritage, blindly innovative like three real products. Therefore, the creation of calligraphy should begin with copying. Copywriting is just like painting in calligraphy, which is of crucial importance. The back, meaning Pro real is a temporary, the key to change. With the original painting, radical, radical and the existing word, the model and imitation, and then set the word (or stipple) into articles, the history of calligraphy, this can be described as the beginning of creation. North Song rice cake often