论文部分内容阅读
第三戏剧既不是制度化的戏剧,也不归属先锋戏剧,更不屈从商业化的趋势,其目的在于寻求戏剧新的理想,即通过“表演交易”追求戏剧作为文化仪式的自主意义,从表演美学角度探索“前表现性”和“在场”等戏剧人类学的本质特征。
The third drama is neither an institutionalized drama nor an avant-garde drama, but does not yield to the trend of commercialization. The purpose of the third drama is to seek a new ideal of drama by pursuing the autonomous significance of drama as a cultural ritual through “performance trading” From the perspective of performing aesthetics, this paper explores the essential characteristics of drama anthropology such as “Pre-Expressionism” and “Presence”.