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古旧书画的修复与装裱有着悠久的历史,是一项传统的修复技艺,它对书画起到了保护和修复作用。它包括许多道繁琐的修复工艺,其中“全色”工艺在整个修复过程中,起着画龙点睛的作用。书画文物通过全色后,可以提高其观赏度,更好的保留和完善原作的原始信息,是至关重要的修复工序之一。本文着重从全色所依据的原则,全色的工作者所要具备的基础知识、工具的娴熟运用以及影响全色效果的因素加以介绍。
The restoration and mounting of ancient calligraphy and painting has a long history, is a traditional repair techniques, it plays a protective and repair of calligraphy and painting. It includes many tedious repair processes, where the “full-color” process plays a role in finishing the entire restoration process. After passing through panchromatic color, the cultural relics of painting and calligraphy can enhance their ornamental degree and better preserve and improve the original information of the original paintings. It is one of the most important repair procedures. This article focuses on the principles on which panchromatic is based, the basics of full-color workers, the skillful use of tools, and the factors that affect panchromatic effects.