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1989年度是电视文艺的丰收之年,最近评选和颁发的第四届“星光奖”表明:艺术品位有了较大幅度提高,涌现出一批内容健康、思想性高、观赏性强、具有较高审美价值的电视精品。更为可喜的是这次获奖节目的编导绝大部分是中青年同志,他们的成长比涌现一批优秀之作更为可贵。第二代电视文艺编导开始崛起。我国的电视事业已有三十余年历史。五、六十年代从事电视文艺工作的同志可称为第一代。他们为电视艺术的发展作了开创性的工作,他们的历史作用是为从电影、戏剧的模式下摆脱出来,发挥电视的优势,使它成为一门独立的艺术而埋头苦干,象戴维字、黄
The year 1989 was the year of bumper harvest of television literature and art. The fourth “Starlight Award” recently selected and presented shows that there has been a substantial increase in the artistic quality, and a number of high-quality artworks have emerged that are healthy, thoughtful, highly ornamental, and high Aesthetic value of the TV boutique. Even more gratifying is that most of the winners of this award-winning program are young and middle-aged comrades whose growth is more valuable than the emergence of a number of outstanding works. The second generation of television art director began to rise. China’s television business has more than 30 years of history. In the fifties and sixties, comrades engaged in television literature and art can be called the first generation. They pioneered the development of television art. Their historical role was to get out of the film and theater modes, to develop the advantages of television and make it an independent art, Word, yellow