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“阴阳和谐”理论是《周易》思想体系的核心,其逐步的形成和发展与历史的变迁和社会的进步息息相关,是古代哲学思想“天人合一”a、“五行”等发展的结果。阴阳和谐思维经长期发展,逐渐演变而形成了“尚中求和”的思想,从而凸显了中国传统文化与哲学的特点,对其后中国传统文化的发展产生了深远的影响。此外,阴阳和谐理论对中国传统艺术带来了广泛的影响,它也引导着中华民族传统审美的走向。中国传统美学所说的意象世界,即照亮这个阴阳和谐、天人合一的本然状态,回到自然的乐的境界。在中国传统绘画中,通过人的创造,达到自然之美,达到真的境界,从而实现“阴阳和谐”。
The theory of harmony between the yin and yang is the core of the thought system of the Book of Changes. Its gradual formation and development are closely related to the historical changes and the progress of the society. It is a combination of the ancient philosophical thoughts such as “harmony between man and nature” “The result of other development. With the long-term development and gradual evolution, the harmonious thinking of yin and yang formed the thought of ”seeking harmony while seeking“, thus highlighting the characteristics of Chinese traditional culture and philosophy and having a profound impact on the subsequent development of Chinese traditional culture. In addition, the theory of harmony between yin and yang brings about a wide range of influences on traditional Chinese arts, and it also guides the traditional aesthetic trends of the Chinese nation. The imagery world in China’s traditional aesthetics called the natural state of bringing harmony between heaven and man and bringing it back to the natural world of music. In traditional Chinese painting, people create, achieve the beauty of nature, and reach the realm so as to achieve ”harmony between yin and yang."