现代人物画得益于融合西法这是众所周知的,山水画则是从清末的衰颓中经过几代画家不断反复地从自然和传统的交错取舍的探索中,演化为今天画坛这个状态。提倡写生、亲近自然是20世纪山水画摆脱僵化程式问题的主要办法,促成山水画的面目有了很大的改变。不过,由于不同类型的画家对于表现自然和传统风格之间的理解和定位不同,其结果也就很不一样。“新金陵八家”当年所以取得成就,当然和五六十年代几次重大的写生活动有关,画家们开阔了视 It is well-known that the modern portrait painting has benefited from the integration of the Western Faith. From the decline of the late Qing Dynasty, the landscape painters evolved into the state of the art scene through the repeated attempts by several generations of painters to make and break from nature and tradition. Advocating sketching and being close to nature is the main solution to the problem of the rigid style program in the 20th century. It has greatly changed the landscape of landscape painting. However, as different types of painters differ in their understanding and orientation of the expression of nature and traditional style, the result is very different. “New Jinling Eight ” so achieved so much, of course, and the fifties and sixties several major sketch activities, painters broaden their horizon