粉彩是陶瓷艺术中一项成熟的传统技法,而粉彩山水瓷画在结合粉彩本身的材料语言与材料美感的同时又继承中国传统文人绘画的审美意境。在与当代色釉材料相结合之后,产生了新颖的画面语言和强烈的视觉效果。在探讨两者之间契合点的同时阐述个人的创作经验,力图通过对两者性质的论述,寻求其可行性。 Pastel is a mature traditional technique in ceramic art, while pastel landscape porcelain painting combines the aesthetic qualities of language and material of the pastel itself while inheriting the aesthetic conception of Chinese traditional literati painting. After being combined with contemporary glaze materials, a new pictorial language and intense visual effects have emerged. While discussing the meeting point of the two, this article elaborates the personal experience of creation, trying to seek its feasibility through the discussion of the nature of the two.