一个歌手的遭遇一个民族的民间艺术,往往保留在本民族的艺人身上。从某种意义上说,这些在群众中很有影响的民族民间艺人,是本民族世代相传的民间艺术的载体,同时又是一个艺术“加工厂”,使得一个民族的民间艺术在其自身的扬弃中经历了一个由低级向高级、从简单到复杂的发展过程。因此,对待这些民间艺术的态度如何,直接关系到一个民族的民间艺术的兴衰。遗憾的是这些民族民间艺人身上的艺术,尚未来得及进行全面地、认真地抢救、发掘、整理,“人亡艺亡”的局面就已经出 A singer encountered a national folk art, often retained in the artist’s own body. In a sense, these ethnic folk artists, influential among the masses, are the carriers of the folk art handed down from generation to generation and are also an art “processing factory” that enables the folk arts of a nation to spread in its own Sublation in the experience of a from low to high, from simple to complex development process. Therefore, how to treat these folk arts is directly related to the rise and fall of folk art of a nation. Regrettably, the art of these folk artists has not yet been fully rescued, excavated, sorted out, and the situation of “death and death” has come out