当你浏览“电视剧场”、“综艺大观”、“旋转舞台”、“百花园”等栏目,不难发现舞蹈艺术在其中所占的分量与作用。它们如旋动的织锦,耀眼的霓霞,把各种晚会、各种专题渲染得情采飞扬,春光烂漫,呈现出一派繁华的景象。不过当你对它们进行细细咀嚼、冷静品味的时候,又会发现某种的不尽如人意,甚至产生屏幕上的舞蹈竟然也是这样疲软、这样贫困的感叹。笔者愿将自己喜忧参半的管窥之见披露于电视界朋友面前,以求教正校偏之益。歌声中的舞蹈进步喜人歌声中的舞蹈习惯上把它称作舞伴歌或歌伴舞。歌之不足则舞,舞之不足则歌。载歌载舞,歌舞溶合本来是中国歌舞艺术的传统,只是到了后来当两者都发育到十分成熟的时候,才割断了彼此相联的脐带,成为各自独立的艺术形式。近年来则有了舞伴歌的兴起,使两者又联袂携手走到了一起,应验了“合久必分,分久必合”的说法。不过 When you browse “TV Theater”, “Arts Grand”, “rotating stage”, “Garden” and other columns, it is not difficult to find the weight and role of dance art in which. They are like spinning brocade, dazzling Ni Xia, all kinds of parties, all kinds of thematic rendering was filled with emotion, the spring and the sun, showing a bustling scene. However, when you chew them carefully and calmly, you will find something unsatisfactory and even a dance on the screen even so weak and sigh of poverty. The author wishes to disclose his gleeful glimpses to the friends in the television industry in order to teach him the correct benefits. Dance progress in the singing voice of the gratifying song in the habit of dancing it is called mate song or dance. The lack of song is dance, the dance of the song is inadequate. Songs and dances and song and dance were originally the traditions of Chinese song and dance art. Only later, when both of them developed to maturity, the umbilical cord connected with each other was cut apart and formed into independent art forms. In recent years, there has been the rise of the dance mate, bringing the two together hand in hand and fulfilling the saying that “for a long time to come, and for a long time to come”. but