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先谈我的第一本书:马拉美的《诗歌集》。 插图用铜版画,线条规则而又纤细,不上阴影。这样处理,印出来的插图页就简直同没有印刷过的书页一样干净了。 插图占据整个版面,四周不留空边。这样,页面就显得更加舒展;因为,这种做法与众不同,图不是局限在版心里面,而是扩展到整个版面。 书页的正面印插图,背面印文字,图文相对;文字用加拉蒙斜体20号身的铅字。关键是:要使这两个页面平衡——即使印铜版画的白页和印文字的黑页平衡。
First talk about my first book: “Latin American Poetry Collection.” Illustration with copper engraving, lines and rules and slender, not shadow. In this way, the printed illustration page is almost as clean as the unprinted page. Illustrations occupy the entire layout, leaving no margin around. In this way, the page is even more stretched; because this approach is different, the map is not limited to the heart version, but extended to the entire layout. Printed on the front page of the printed illustration, printed on the back of the text, graphic relative; text with Gallagon italics 20 body type. The point is: to make the two pages balanced - even the black pages of printed and engraved white pages and typography.