一、倭漆的传入倭漆是我国明代对日本漆器的称呼,刘侗、于奕正所著《帝京景物略》中记载:“倭漆,国初至者,工与宋倭器等,胎轻漆滑,铅钤口,金银片,漆中金屑,砂砂粒粒,无少浑暗。”(刘侗、于奕正《帝京景物略》卷四,北京古籍出版社1980年版,第165页)明代也将日本漆器作为法定贡物,例如永乐二年规定的贡物中就有“贴金扇、洒金橱子、洒金文台、描金粉匣、洒金手箱、涂金妆彩屏风、洒金木铫角盥”(李言恭、郝杰《日本考》,中华书局1983年版,第67页)等物品。倭漆传入我国后,以华美的风格、 First, the Japanese paint is Japan’s lacquer is Japan’s lacquer Ming Dynasty called the title, Liu Tong, Yu Yi Zheng is the “Royal Park King Slightly” recorded in: “Japanese paint, the beginning of the country, workers and the Song Wo device , Tire lube slippery, lead 钤 mouth, gold and silver pieces, gold paint in the paint, sand grit, no less muddy. ”(Liu Dong, Yu Yizheng“ Royal Park King Silence ”Volume IV, Beijing Ancient Books Publishing House 1980 Year Edition, p.165). The Ming Dynasty also used Japanese lacquer as a statutory tribute. For example, in the tribute stipulated by the Second Year of Yongle, there are “gold-plated fans, spilled gold, gold sprinkling stations, Makeup color screen, sprinkle gold wooden temples ”(Li Yan Gong, Hao Jie“ Japan test ”, Zhonghua Book Company 1983 edition, p. 67) and other items. Japanese paint into our country, with a gorgeous style,