(接上期)高:有时候我讲,有些我们片库级的编剧,看得太多了,但是忘性太大,记吃不记打。写一写又进入我们司空见惯的那些场景了。比如说电视剧我们经常写到婚礼,为什么写这场婚礼呢?为什么要拍这场戏呢?就是为了介绍他结婚了?大量的戏都是这样处理的。那么这就是没有下意识。我写到这个地方,肯定打住,我非要在婚礼上出个事儿不可,不出个偶然那么这场戏我不写了。我就两个喜字, (Continued) High: Sometimes I say, some of our library-level screenwriter, read too much, but too much forgiveness, remember to remember. Write and re-enter those scenes that we are accustomed to. For example, we often write the drama wedding, why write the wedding? Why filming this scene? Is to introduce him to get married? A lot of drama are handled this way. Then this is no subconscious. I wrote this place, certainly stopped, I have to put out something in the wedding, not by chance then I do not write the scene. I like two words,