文艺复兴时期的《忧郁的解剖》一书在英国文学史中占有独特地位。作者罗伯特·伯顿在书中提出了一种独特的“我的乌托邦”理念,以“诗意联邦”为主题,提倡诗性写作和阅读,不但为同时代的“忧郁病患者”提供救赎良方,也为乌托邦批判提供了全新的视角。他从人的社会本性出发,针对传统的乌托邦思想,提出了“自下而上”的“自我乌托邦”主张,以诗性对话的方式积极地介入生活。在他看来,要治疗“忧郁”这一普遍性的社会疾病,不能消极地依赖社会改变,个人的诗意救赎才是出路。他把传统乌托邦“救众”理念发展为通过诗来“救独”、然后实现“救众”的主张,让人们看到了乌托邦思辨、生活方式与诗性艺术创造三者有机结合的可能性。 The “Melancholic Anatomy” of the Renaissance occupied a unique position in the history of British literature. The author Robert Burton put forward a unique “My Utopia” concept in his book, advocating poetic writing and reading with the theme of “poetic federation”, not only for contemporary “melancholy patients ”Provide the remedy of redemption, but also provide a completely new perspective for utopian criticism. Starting from the social nature of human beings, he proposed the “bottom-up ” self-Utopia proposition according to the traditional utopian ideology, actively intervening in the way of poetic dialogue. In his view, to treat “social depression” as a universal social disorder can not be negatively dependent on social changes, and personal poetic redemption is the way out. He developed the concept of traditional Utopia “Rescuing Crowds ” into “saving the individual ” through poetry, and then realizing the idea of ​​ “saving the masses ” so as to let people see the utopian speculation, the way of life and the creation of poetic art The possibility of organic combination.