方爱龙:羊晓君对历代诗人歌咏富春江山水的诗篇情有独钟,数年前就曾创作出版有《羊晓君隶书历代名人咏富阳》的作品集。如今选择黄庭坚《登快阁》一诗,用自己最为擅长的大字隶书进行名篇创作,想必是经过深思熟虑的。如此巨幅,大超出了寻常伏案书写的极限,必定出自铺地挥毫,因此谋篇布局已是一难,书写多字而求笔调统一更是难上加。通观羊晓君此幅巨作,却能做到:布置停当,举大若小;立法取势,兼而尽妙;结字用笔,纲纪不乱;疏处风 Fang Ailong: Yang Xiaojun is a soft-fitted poet about the poems of the ancient poets who chanted the Fuchunjiang landscape. A few years ago he had authored and published a collection of works entitled “Yang Fu-yang, a Famous Person in Various Dynasties by Yang Xiaojun”. Now choose Huang Ting “Gordon Pavilion” a poem, with their best at the official script for famous writing, presumably after careful consideration. Such a huge, large beyond the limit of the writing of the ordinary desk, must come from the ground floor, so the layout is a hard one, writing more words and strokes and unity is even more difficult to add. Throughout this masterpiece of Yang Xiaojun, but can do: layout stops, give a big if small; legislative advantages, and make all the best; knot words, Gang Ji chaos; Sparse wind