“朱昌耀以其对音乐之深刻入微的理解、对乐曲细致独到的处理……被喻为‘如杯中醇酒,满而不溢’,‘弓弓诉人意、弦弦道世情’”。这是听众对朱昌耀二胡演奏特点的赞誉,形象、准确,但是过于概括,未能深入。明末清初徐上瀛论琴“二十四况”则细致深入,堪称美学史上之杰作。操琴之人得其二三即为高妙。作者即借此论朱昌耀新南派二胡的特点。 “Zhu Changyao with its profound understanding of the music, meticulous and unique treatment of the music ... ... has been hailed as’ cup of alcohol, full and not overflowing ’, bow bow appeal, string style world affairs’. This is the audience’s praise of Zhu Changyao erhu performance, image, accurate, but too generalized, failed to in-depth. On the late Ming and early Qing Xu Shangying piano ”twenty-four conditions " is in-depth meticulous, 堪称 aesthetic history of the masterpiece. Pianqin who won the second or third is wonderful. The author borrows this to discuss the characteristics of Zhu Changyao’s new southern school erhu.