论文部分内容阅读
烧陶工艺的发明,使土鼓的名称渐渐消失,取而代之的是瓦鼓(陶鼓)与瓷鼓。瓦鼓从古至今与民俗有着不解之缘。广西瓦鼓,至今仍保持着所见宋代瓦鼓形制,演奏方式也类似古老的横置击鼓式。瓦鼓(蜂鼓)在广西分布较广,不同民族各有自己的称谓与民俗。民间存留的清代瓦鼓与近期发现的瓦鼓其在形态上有所不同。短腰瓦鼓濒临消失,长腰瓦鼓的族属及民俗有待进一步调查。瓦鼓与师公、师公舞构成了广西师公文化。其文化内涵与中原道教的影响及本族系宗法礼俗的制约密切相关。
Pottery craft invented, so that the name of soil drum gradually disappear, replaced by the tile drum (pottery drums) and porcelain drums. Watts and drums have a bond with folklore since ancient times. Guangxi watts drums, still maintain the watched Song paddling shape, playing style is also similar to the ancient horizontal drum. Watts drums (bee drums) are widely distributed in Guangxi, different ethnic groups have their own names and folk customs. The Qing dynasty watts and the newly discovered tiles drums, which were kept by civilians, are different in form. Short waist tile drum verge of disappearing, long waving tile ethnic and folk needs to be further investigated. Watts drum and teacher, teacher dance constitutes Guangxi teacher culture. Its cultural connotation is closely related to the influence of Taoism in Central Plains and the restriction of the etiquette and custom of clansmen in the clan.