绘画写物也写灵魂。绘画描述客观也在描述主观。画者眼中的客观世界和主观世界融为一体并决定画者的功力和意识,在构图的背后是画者主观认识及表现力所在。我将从以上意义上来阅读牛浩东的画作。一个画者总是要经历上升期和成熟期的。牛浩东正是处于这样的时期。在上升期画者的绘画语言技法以及表现力将呈现出更多改变、探索与张力,同时也把自己对生活的观察、理解写入自己的作品中,这一时期会出现主观和客观 Writing writing also write the soul. The description of the painting objectively describes the subjective. The objective world in the eyes of the artist integrates with the subjective world and determines the skill and awareness of the artist. Behind the composition is the artist’s subjective understanding and expressiveness. I will read Niu Haodong’s paintings in the above sense. A painter is always going through ascent and maturity. Niu Haodong is in such a period. During the ascending period, the artist’s painting language technique and expressiveness will show more changes, explorations and tensions. At the same time, his own observation and understanding of life will be written into his own works. During this period, subjectivity and objectivity will appear