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2011年6月,中国工艺美术学会民间工艺美术专业委员会第26届年会选定在“中国松花砚之乡”吉林省通化市举行。在文化产业发展浪潮一波一波席卷中国大地的大背景下,遥居东北的通化不甘落后,从历史的记忆中挖掘出清宫御砚——松花砚,并上升为重点打造的文化品牌。松花石,通化市特有的地理文脉,已在地下沉睡了7亿年。松花砚,通化市的一张亮丽的文化名片,曾作为国宝被清皇室珍爱多年,后因诸种原因长期封禁销声匿迹近200年。在地下沉睡多年的松花石如何重被发现,又如何华丽转身为远销海内外的松花砚?是谁让松花砚涅重生,大放异彩?而松花砚在当代社会又面临着怎样的困境?在中国四大名砚的光环之外,作为后起之秀的松花砚如何突出重围?一块石头的命运,通化的传奇缩影。
In June 2011, the 26th Annual Meeting of the Folk Arts and Crafts Professional Committee of the China Arts and Crafts Society was held in Tonghua, Jilin Province, China. Under the wave of waves of development in the cultural industry that swept through the vast land of China, Tonghua, who lives in the northeast, is not far behind. From the historical memories, it has excavated Qingyan’s imperial inkstone-Songhuayan and raised it to a cultural brand that is mainly focused on creating. Songhua stone, Tonghua unique geographical context, has been sleeping in the ground 700 million years. Song Hua Yan, Tonghua City, a bright cultural business card, once as a treasure of the Qing Dynasty cherished for many years, after a long period of closure due to various reasons disappeared for nearly 200 years. How to find the loose stones that have been sleeping in the earth for many years, and how beautiful to turn them into the Songhuayan sold at home and abroad? Who makes the Songhua Yan Nirvana rebirth, shine? And Songhua Yan in the contemporary society is facing what difficulties? In addition to the aura of the four famous Yan of China, how can the Songhua Yan as a rising star highlight the fate of a rock and the epitome of Tonghua?