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本文运用罗兰·巴特结构主义符号学的方法,从中国北方渔猎民族萨满治病舞蹈的表层形态入手,逐层深入地探入其深层结构,并以此为据探讨萨满治病舞蹈在北方渔猎民族的社会发展过程中所发挥的功能和作用。在此基础上提出:萨满治病舞蹈的形态是渔猎民族在自身生存方式修辞化表达的过程中建构起来的,是渔猎民族在适应环境、改造环境过程中形成的生存方式本身。萨满治病舞蹈在萨满教仪式中发挥着对生存方式叙事和表达的功能;并且通过与整个萨满教仪式其他要素结合形成的整体对人们生存观念产生影响,间接起到推动社会发展和进步的作用。
This article uses Roland Barthes structuralist semiotics method to start from the superficial structure of the shamanism shamanism in northern China, and explores its deep structure layer by layer. Based on this, Functions and Functions of Fishing and Hunting Ethnic Groups in Social Development. On this basis, it is put forward that the shape of the Shaman healing dance is constructed by the hunting and hunting nationalities in the process of the rhetorical expression of their own way of life and is the survival mode itself formed by the fishing and hunting peoples in adapting to the environment and rebuilding the environment. The shamanic choreography plays a narrative and expression function in the Shamanistic ritual; and it influences the people’s existence by integrating with other elements of the entire Shamanistic ritual and indirectly plays an important role in promoting social development and progress.