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“今天派”诗人作为新时期诗歌创作的起点,不仅意味着写作姿态中政治批判与人道精神的缠夹,也变动了诗歌理想从政治意识形态隐喻向伦理象征的建构。尤其是在自然意象的探索上,前期“今天派”诗人将民主、求真的社会主题与诗歌的自然主题相关联,将意象的人格化象征与抒情主体的时代形象相联系,呈现出诗学上的不彻底和混淆。后期“今天派”诗人逐步复苏意象的感知与想象,实现人格化意象向知觉化意象的过渡,抒情主体也从国家属性的英雄式人格向感受性个体发生移位。本文以自然意象为切入,以细读的方式从思想背景、诗学主题、技艺流变等多个角度评议“今天派”诗人创作的得与失。
As the starting point of poetry writing in the new era, the poet “Today” not only means the confusion of political criticism and humanitarian spirit in the writing gesture, but also changes the construction of the ideal of poetry from political ideology metaphor to ethical symbol. Especially in the exploration of natural images, the pre-modernist poets of “Today School” link the social themes of democracy and truth seeking with the natural themes of poetry, associate the personalization of images with the era image of the main body of lyricism, and present poems Incomplete and confusing learning. In the late period, the “Today’s School” poets gradually revived the perception and imagination of images, and realized the transition from the personified image to the visualized image. The lyric subject also shifted from the heroic personality of the state property to the sensible individual. In this paper, we use natural images as a cut-in point, and review the pros and cons of the creation of today’s poets from the perspectives of ideological background, poetics, and artistry.