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保罗·奥斯特是当代美国备受关注的文学家,他的《纽约三部曲》被誉为反侦探小说的扛鼎之作,而保罗本人也因该作品名声大噪,成功地树立了他在当代文坛的至高地位,小说中的反侦探叙事艺术更是令人叹为观止。本文以三部曲中的《玻璃之城》为研究文本,从叙事内容及叙事结构两个方面来探究该小说的反侦探叙事艺术。
Paul Auster is a contemporary American writer of great concern. His “New York Trilogy” is hailed as a carry-on for anti-detective novels, and Paul himself has succeeded in establishing a reputation for the work His supremacy in contemporary literary world, anti-detective narrative art in the novel is even more amazing. Taking the “City of Glass” in the trilogy as the research text, this article explores the anti-detective narrative art of the novel from two aspects of narrative content and narrative structure.