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不同的生存样式造就了不同的文化样式,影视作为一种传播媒介,反映了人类不同的生存样式,其中不乏多彩的文化样式呈现。本文通过对余男主演的两部女性电影《惊蛰》《图雅的婚事》进行文本分析,试图解读影视视角下的西北文化传播。两部电影聚焦于西北农村的一片苍茫大地,再现了艰难的生存环境和在此传承千年的厚重文化,人们在这块后象征文化的土壤成长,显现出原始淳朴的生命力。就在这苍天水井之间,电影生动刻画了坚忍勤劳的两位女子,她们不抱怨生活,不放弃生命,成为黄色土地上跳跃的红色火焰。
Different living styles have created different cultural styles. As a medium of communication, film and television reflects different living styles of mankind, including many colorful cultural styles. This article attempts to interpret the Northwestern cultural transmission under the visual angle of film and television by analyzing the texts of Yu Jing’s two female films Jing Jing Zhe and Tu Ya’s Marriage. The two films focus on a vast land in the northwestern rural areas, reproducing the difficult living environment and the heavy culture that has inherited the millennium here. After this piece of land symbolizes the cultural growth of the soil, people are showing primitive simplicity and vitality. Just between the heavenly wells, the film vividly portrays two women who persevere and industriously. They do not complain about their life, they do not give up their lives and become the red flame jumping on the yellow land.