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公元1600年(明万历年间),意大利传教士利玛窦第一次带来了西方绘画观点,随后在清乾隆年间的朗世宁、王致成、艾启蒙等外籍画家的影响下,油画在中国开始萌芽。19世纪末期,在帝国主义的炮舰政策下,西方各种新思潮不断涌入,传统中国绘画受到了进一步的考验。五四运动后到新中国成立,在广泛吸收国外大师的
In 1600 (the Ming Dynasty), the Italian missionary Matteo Ricci brought western painting ideas for the first time. Afterwards, under the influence of foreign artists such as Long Shining, Wang Zhicheng and Ai Qimeng during the reign of Emperor Qianlong, oil painting began to sprout in China . In the late 19th century, under the imperialist gunboat policy, various new trends of thought in the West continued to infiltrate, and traditional Chinese painting was subjected to further tests. After the May Fourth Movement to the founding of new China, extensive absorption of foreign masters