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在中国现代画坛上,说到水墨人物画,有一个人特别显眼:他虽没有经过正式科班的训练学习和名师巨匠指导,却能靠自学而达笔精墨妙,自成一格;他虽没有受命在身,却能一生挥手中常被他虐称为“秃笔一支”的宣毫,为民写真;他虽没有留学海外,却能自觉触贯中西各采其长,成为中国绘画改革的重量级人物,并做出了与徐悲鸿足可比肩的重要贡献,还被人以“徐蒋体系”冠称。他不愧是近代中国画坛上的一位大师——他叫蒋兆和。
In the modern Chinese painting society, when it comes to ink and wash painting, one is particularly conspicuous: although he has not got the formal training and master’s instruction, Ordered to be in the body, but his life can be waving often called him “bald pen one” propaganda, for the people to write a photo; although he did not study abroad, he could conscientiously touch the Chinese and Western recruit its chiefs, as the Chinese painting reform Of the heavyweights, and made an important contribution comparable with Xu Beihong, but also to be “Xu Jiang system” crown. He deserved to be a master of modern Chinese painting - he called Jiang Zhaohe.