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李春喜：从戏剧功能的意义上讲，现代人把剧场作为人跟人交流的场所，灵魂和灵魂对话的场所。在这个意义上，戏剧界广为流传着一个关于“剧院是教堂”的故事，这个故事就是你从俄罗斯学成回国后不断讲述的。请你先讲讲这个很有意思、很动人的故事，并给我们介绍一下你所感受到的俄罗斯人对于戏剧的态度，包括这些态度观念对你后来关于戏剧的基本理念、基本看法及戏剧创作的影响。
Li Chunxi: From the perspective of the drama function, the modern people regard the theater as the place where people communicate with people, the place where soul and soul talk. In this sense, there is a widely circulated story about “the theater is a church” in the theater, a story you keep telling you after you returned from Russia. Please tell us about this very interesting and touching story and give us a brief introduction of what you feel about the attitude of Russians to drama. This includes the influence of these attitudes on your later basic ideas, basic ideas and dramatic writing about drama .