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“一曲多变”是中国音乐文化中大量存在的一种音乐现象,学界对此关注颇多,研究成果也甚丰。从以往学者们所运用的研究方法和所采取的学术理念来看,这些研究成果大体可以归结为三个层面:音乐生发的行为层面;音乐生发的制度层面;音乐生发的观念层面。就学术研究而言,反映出三种不同的学术理念;就实际发生而言,三种阐释正是“一曲多变”现象形成的三个根本性的原因。“一曲多变”现象的形成并不只是由音乐行为、音乐制度或者是音乐观念这三种因素中的某一种因素所引起,而更可能是由这三种因素协同合作、相互作用的结果。
“A song changeable ” is a kind of music phenomenon that exists in a large amount in Chinese music culture, the academia paid close attention to this, the research result is also very rich. Judging from the research methods and academic ideas adopted by scholars in the past, these research results can be generally attributed to three levels: the behavioral level of musical development; the institutional level of musical development; and the conceptual level of musical development. As far as academic research is concerned, three different academic concepts are reflected; in terms of actual occurrence, the three interpretations are exactly the three fundamental reasons for the formation of a “changeable phenomenon.” The formation of “a changeable” phenomenon is not caused by any one of three factors: music behavior, music system or music concept, but more likely to be caused by the cooperation of these three factors The result of the action.