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本期锐像以“图像的挪用”作为契机,分别与何博、谭佩里两位青年摄影师一同回顾挪用策略在当代摄影图谱以及他们各自实践中所扮演的角色。在1983年,英国艺术家彼得·肯纳德(Peter Kennard)挪用了英国画家约翰·康斯坦布尔(John Constable)在1821年绘制的作品《甘草车》(The Haywain),将美国核导弹的照片放置在田园牧歌式的风景之上,以《美国巡航导弹》(Cruise Missiles USA,1983)表达出他对英国和美国的外交政策所施加的一种立场,将康斯特勃德的绘画从如画美
In this issue, “image appropriation” is an opportunity to review with two young photographers, He Bo and Tampere respectively, the role that appropriation strategies play in contemporary photographic patterns and their respective practices. In 1983, British artist Peter Kennard embezzled The Haywain, a painting by the British painter John Constable in 1821, placing photos of U.S. nuclear missiles Above idyllic landscapes, Cruise Missiles USA (1983) expresses his position on foreign policy in the United Kingdom and the United States, moving Constable’s paintings from a picturesque nice