南宋严羽在《沧浪诗话·诗辨》中正式提出“以禅喻诗”的主张,使“以禅喻诗”成为了一种风气。其实,从内在本质来讲,“以禅喻诗”存在着很大的误区。本文仅从艺术思维和宗教思维,灵感与顿悟,“语不惊人死不休”与“不立文字”这三个角度来论述。 Yan Yu in the Southern Song Dynasty formally proposed in “Canglang Poetry and Poetry Differentiation” that the idea of ​​“taking Buddhism as a metaphor for Buddhism” has made “taking Buddhism as a metaphor for Buddhism” a trend. In fact, in terms of its intrinsic nature, there is a great misunderstanding about “poetry of Buddhism”. This article discusses only from the three aspects of artistic thinking and religious thinking, inspiration and epiphany, “language is not astonishing death ” and “not to set the text ”.