王莉莎老师说要在汕头办个展,以前可从未听她说过,这在我们这些六十多岁的人,并不奇怪,多数人不单未办个展,甚至也未出版过个人专集。好时光错过了,这是没有办法的。我想起一次为填一份“调查表”而遇到的尴尬,它要求填获奖情况,我填不出,我只能写:“有能力获奖的那个年纪所处的时代不设奖,到设奖的时代,年龄又超过了。” 这一代人中,总还是有人既出画册又办个展,那是因为他或她比我们多数人先成为了商品社会的幸运的“弄潮儿” 我一直以为画家创作的过程也即审美的过程,自己先为什么而感动,然后,经不住要将这种感动传达给别人,这就完成了。可现在我借那成功者的眼镜再看,原来,如果欣赏者是掏了腰包把画买回家去独自享受,才是完成了创作与审美的全过程,好就好在,这样一来,我们这一辈人就不愁出 Wang Lisha said he wants to hold a solo exhibition in Shantou. He has never heard of her before. It is not surprising to us in these people in their 60s. Most people not only did not solo solicitations but also did not even publish solo albums. Good times missed, this is no way. I remembered once embarrassed to fill in a “questionnaire”, which asked me to fill in the prize situation. I can not fill it out. I can only write: “There is no prize in the age where the ability to win a prize. The age of the award is over. ”Of this generation, there are always people who have both pictures and solo exhibitions, because he or she first became a lucky“ go-between boy ”of a commodity society than most of us. I always thought that painter creation The process is also the process of aesthetic, why they touched the first, and then, to withstand this move to convey to others, this is done. But now I borrow the glasses that successful look, the original, if the admirer is digging a pouch to buy home to go alone to enjoy painting, is the completion of the whole process of creation and aesthetic, good is good, this way, Our generation will not worry about it