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在提倡“百花齐放,百家争鸣”的20世纪50、60年代,中国的水墨动画片开始出现在银幕上,开启了中国画元素动画的模式。具有民族风格的动画搭配古乐,形成了东方特色的视觉画面。从20世纪60年代到90年代的30年中,涌现了《小蝌蚪找妈妈》《鹿铃》《牧笛》等大批我们耳熟能详的作品,堪称经典。1988年创作的《山水情》更是将水墨动画带入了一个新的欣赏视角。本文着重从《山水情》动画的构图艺术、艺术符号化特征、其中蕴含的传统美学等方面进行阐述。
In the 1950s and 1960s, Chinese ink-and-wash cartoons began to appear on the screen in an attempt to promote “all-encompassing and contending schools.” The mode of animated Chinese elements was opened. A national style animation with ancient music, the formation of the visual characteristics of the East. In the 30 years from the 1960s to the 1990s, a large number of well-known works such as “Little Tadpoles Looking for Mum”, “Deer Bell” and “Medico” emerged. Created in 1988, “Landscape Love” is the ink animation into a new perspective of appreciation. This article focuses on the composition art, the symbolic characteristics of the art, and the traditional aesthetics contained therein.